For the past several decades, French historians have emphasized the writing of history in terms of structures, cultures, and mentalities, an approach exemplified by proponents of the Annales school. With this volume, Bernard Guenée, himself associated with the Annalistes, marks a decisive break with this dominant mode of French historiography. Still recognizing the Annalistes' indispensable contribution, Guenée turns to the genre of biography as a way to attend more closely to chance, to individual events and personalities, and to a sense of time as people actually experienced it. His erudite, lively, elegantly written study links in sequence the lives of four French bishops, illuminating medieval and early modern history through their writings.

Guenée chooses as his frame the momentous period from the height of Saint Louis's reign in the mid-thirteenth century to the beginning of the Italian wars two hundred years later. During this time of schism in the church, of war between nascent states, and of treachery among princes, Bernard Gui (1261-1331), Gilles Le Muisit (1272-1353), Pierre D'Ailly (1351-1420), and Thomas Basin (1412-1490) all rose from modest circumstances to the dignity of office. Guenée shows us how these prelates used their talent, ambition, patrons, zeal, and experience to juggle the competing demands of obedience to church and state; to overcome competition from an upcoming new generation; and to cope with plague, war, and violence. Free of jargon yet steeped in learning, Between Church and State reveals the career patterns and politics of an era while forging a new model for points of departure in historical scholarship.

Exploding the myth that the Bible was largely unknown to medieval lay folk, Book and Verse presents the first comprehensive catalog of Middle English biblical literature: a body of work that, because of its accessibility and familiarity, was the primary biblical resource of the English Middle Ages.   The medieval Bible, much like the Bible today, consists in practical terms not of a set of texts within a canon but of those stories which, because of a combination of liturgical significance and picturesque qualities, form a provisional "Bible" in the popular imagination. As James Morey explains in his introduction, although the Latin Bible was not accessible to the average English-speaker, paraphrases— systematic appropriation and refashioning of biblical texts—served as a medium through which the Bible was promulgated in the vernacular. This explains why biblical allusions, models, and large-scale appropriations of biblical narrative pervade nearly every medieval genre. 
 Book and Verse is an indispensable guide to the variety and extent of biblical literature in England, exclusive of drama and the Wycliffite Bible that appeared between the twelfth and the fifteenth centuries. Entries provide detailed information on how much of what parts of the Bible appear in Middle English and where this biblical material can be found. Comprehensive indexing by name, keyword, and biblical verse allows a researcher to find, for example, all the occurrences of the Flood Story or of the encounter between Elijah and the Widow of Sarephta. An invaluable resource, Book and Verse provides the first easy access to the "popular Bible" assembled before and after John Wyclif's translation of the Vulgate into English.